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	<title>Dave Jarecki &#187; Henry Hughes</title>
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		<title>POETRY by HENRY HUGHES</title>
		<link>http://davejarecki.com/creative/2009/henry-hughes-poetry/</link>
		<comments>http://davejarecki.com/creative/2009/henry-hughes-poetry/#comments</comments>
		<pubDate>Tue, 01 Dec 2009 03:23:30 +0000</pubDate>
		<dc:creator>Dave Jarecki</dc:creator>
				<category><![CDATA[Guest writer]]></category>
		<category><![CDATA[Henry Hughes]]></category>
		<category><![CDATA[Henry Hughes poetry]]></category>
		<category><![CDATA[Oregon poetry]]></category>
		<category><![CDATA[Oregon poets]]></category>
		<category><![CDATA[poet Henry Hughes]]></category>
		<category><![CDATA[Portland poetry]]></category>

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		<description><![CDATA[Henry Hughes grew up in Long Island, and has lived in Oregon since 2002. He currently teaches at Western Oregon University. The poems in his most recent book, Moist Meridian (&#169; 2009, Mammoth Books), come to life on the page through Hughes&#8217; ecstatic voice and willingness to be both playful and sublime. His first collection, [...]]]></description>
			<content:encoded><![CDATA[<p><em>Henry Hughes grew up in Long Island, and has lived in Oregon since 2002. He currently teaches at Western Oregon University. The poems in his most recent book, <strong>Moist Meridian</strong> (&copy; 2009, <a href="http://www.mammothbooks.com/" target="_blank">Mammoth Books</a>), come to life on the page through Hughes&#8217; ecstatic voice and willingness to be both playful and sublime. His first collection, <strong>Men Holding Eggs</strong> (&copy; 2004; Mammoth) won the 2004 Oregon Book Award for poetry. Hughes&#8217; commentary on new poetry appears regularly in Harvard Review. The following poems from <strong>Moist Meridian</strong> appear here with his permission.</em></p>
<p><br/></p>
<p>SKELETON PIRATES OF AMERICA</p>
<p>Oil drunk,<br />
masts gnawed away,<br />
we burn black slicks<br />
for a Chinese cargo of toys. </p>
<p>Never dead enough, juggling<br />
cannonballs and Arabs,<br />
brown galley boys<br />
fry fat<br />
to fill our clothes. </p>
<p>Unpaid women pinch<br />
note-wrapped rats between the planks,<br />
and the sun<br />
burns so hot</p>
<p>even sharks<br />
can&#8217;t digest the shimmering curse.<br />
<em>I&#8217;m George</em>, says the air-conditioned captain.<br />
<em>See all the blue<br />
for my eyes</em>. </p>
<p><br/><br />
DEVIL KNOWS DIFFERENT</p>
<p>Watching them gulp<br />
garbage and skinny eels&#8211;two gaunt sharks,<br />
open-mouthed in appeal&#8211;I nod,<br />
they pass. </p>
<p>Now, you. <em>You</em> come back with me.<br />
Smell the salt, the oily churn of a twin-screw cruiser,<br />
drunk and wide as the Fifties.<br />
See your parents, the sandy woman<br />
and sable rodded man, telling you to <em>feel the bite</em>,<br />
<em>feel it</em>. </p>
<p>Feel the flounder&#8217;s deck-flutter,<br />
taste its whiteness. All the baked clams,<br />
boiled lobsters and barbecued bass<br />
they&#8217;ve eaten and served<br />
to fuel the business of living,<br />
of making you.</p>
<p>Parents gone now. It&#8217;s your chance<br />
to feed your teenage daughter<br />
more than money. Umbrella beach days without her mom.<br />
Your lectures still too hot to bear.<br />
She wades the blonde bar, waving to a yacht. Sharp sharks<br />
shilling into the scent<br />
between her legs. People say, <em>What we eat<br />
can&#8217;t imagine being eaten</em><br />
Devil knows different. </p>
<p><br/></p>
<p>NEW YEAR&#8217;S WITH CHRISTINE</p>
<p>Transmission busted. It&#8217;s late<br />
and I have to drive home alone, in reverse,<br />
from Saint Mary&#8217;s singles dance,<br />
Bing&#8217;s <em>White Christmas</em> on AM.<br />
I see the first small snow<br />
in my taillights, and in ten minutes<br />
the defrost sweats off a storm.<br />
Flakes blow up<br />
finding clouds again. </p>
<p>What if I kept rolling,<br />
New Year&#8217;s Day, 1982. Driving us<br />
in love, silly, still drunk<br />
down that terrible hill to your house,<br />
sliding in crystal terror<br />
over the curb</p>
<p>into Neil Cohen&#8217;s handsome snowman.<br />
His bottom sphere smushed gray<br />
and that broom jammed in our bumper.<br />
I held his crunchy head,<br />
lifted that gold pipe<br />
and said, <em>Here, have a smoke</em>. And you knelt,<br />
suddenly knowing<br />
to wear that hat meant change.<br />
And you put it on. </p>
<p><br/><br />
HOW I FOUND THE SKY</p>
<p>It was the only time<br />
my father asked me for anything.<br />
<em>Why don&#8217;t ya make me a duck for da office?</em><br />
It was the only time I went to the library<br />
for a book: <em>Waterfowl of North America</em>.<br />
And it was the only time moribund Mr. Brown<br />
gave me a decent piece<br />
of unknotted pine, and put his coffee down<br />
to show me how to bandsaw<br />
without losing a finger. </p>
<p>I cut those penciled lines,<br />
shaped the block, hollowed the center,<br />
glued the body, shaved the head&#8217;s fragile bill<br />
and narrow crest, leaving those buffed cheeks&#8211;<br />
some ruddy joy<br />
a lonely bird might fly to on a cold morning.<br />
Joy? I don&#8217;t know.<br />
I was rasping through recessed confusion,<br />
burning in feathers, drilling shallow sockets<br />
for the glassy red eyes of high school. </p>
<p>And when I carried that blond mallard<br />
through the halls, it was the only time<br />
beautiful Miss Herman, the art teacher<br />
I loved and failed for three terms, spoke to me<br />
of colors: <em>burnt umber</em>, <em>raw sienna</em>, <em>cobalt blue</em><br />
brushed across the folded wings. </p>
<p><br/><br />
MOVING</p>
<p>We were friends<br />
years before<br />
the night among the boxes,<br />
unlabeled for fast stacking in the old pickup.<br />
<em>We&#8217;re not finished</em>, I said.<br />
<em>There&#8217;s wine, and I&#8217;m not taking it with me</em>.<br />
Tipping that last ocean view,<br />
you said, <em>I&#8217;ll miss you so much</em>, before that half-light kiss<br />
pressed a bloom<br />
straight through the island. Our hands<br />
sands a wave makes<br />
without music, without a bed. A motion<br />
awaited, undressing like a storm<br />
just ahead. So close<br />
without my glasses. <em>Can you see</em>? you smiled,<br />
one hand touching my face, the other driving<br />
the dented guardrail<br />
over the bridge. </p>
<p><br/><br />
&#8211;<br />
<em>A review of <strong>Moist Meridian</strong> will appear Thursday, December 3. Our complete interview will be live on Friday, December 4. </em></p>
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