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	<title>Dave Jarecki &#187; Dana Guthrie Martin</title>
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		<title>Poems by Dana Guthrie Martin</title>
		<link>http://davejarecki.com/creative/2009/dana-guthrie-martin-poems/</link>
		<comments>http://davejarecki.com/creative/2009/dana-guthrie-martin-poems/#comments</comments>
		<pubDate>Tue, 31 Mar 2009 00:50:12 +0000</pubDate>
		<dc:creator>Dave Jarecki</dc:creator>
				<category><![CDATA[Dana Guthrie Martin]]></category>
		<category><![CDATA[Guest writer]]></category>
		<category><![CDATA[Mutating the Signature]]></category>
		<category><![CDATA[Seattle poet]]></category>
		<category><![CDATA[Seattle poetry]]></category>

		<guid isPermaLink="false">http://davejarecki.com/?p=945</guid>
		<description><![CDATA[Dana Guthrie Martin lives in the Seattle area and writes wherever writing will have her. She shares her home with her husband, her pet hamster and her robot, Feldman. Her work has appeared or is forthcoming in numerous journals, including Blossombones, Blue Fifth Review, Boxcar Poetry Review, Coconut Poetry, Failbetter, Fence, Juked and Knockout Literary [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Dana Guthrie Martin</strong> <em>lives in the Seattle area and writes wherever writing will have her. She shares her home with her husband, her pet hamster and her robot, Feldman. Her work has appeared or is forthcoming in numerous journals, including <strong>Blossombones, Blue Fifth Review, Boxcar Poetry Review, Coconut Poetry, Failbetter, Fence, Juked </strong>and<strong> Knockout Literary Magazine</strong>. In May, Martin will enter Converse College&#8217;s low residency MFA program, and in July, <a href="http://bloodyooze.blogspot.com/" target="_blank"><strong>Blood Pudding Press</strong></a> will publish her chapbook, </em><u>The Spare Room</u><em>. You can read some of her collaborative work with poet Nathan Moore at <a href="http://mutatingthesignature.org/" target="_blank">Mutating the Signature</a></em>.</p>
<p><br/><br />
ROBOT WORKERS<br />
<em>— after John Donne</em></p>
<p>For every robot that goes down fighting<br />
&#160; &#160;There are two or<br />
&#160; &#160; &#160;Three or legions who turn away, trying to<br />
&#160; &#160;Blend in with suits and satchels, going to<br />
&#160; &#160; &#160;Jobs they don’t want so they can feel useful.<br />
They’ve learned this is what it means to be real —<br />
To leave the fallen, as if each day were<br />
&#160; &#160;A war, the lawns</p>
<p>&#160; &#160; &#160;Of their suburbs littered with mines:<br />
&#160; &#160;The dog catcher<br />
&#160; &#160; &#160;Who lets frothing dogs chase robots down streets<br />
While driving alongside in his truck, laughing<br />
&#160; &#160;And bellowing “Bot!” in accusation;<br />
The children who kick and spit and slap wads<br />
&#160; &#160;Of gum on their metal behinds so they can’t<br />
&#160; &#160; &#160;Sit on benches</p>
<p>Without sticking to them; the housewives who<br />
&#160; &#160;Draw their curtains<br />
&#160; &#160; &#160;Because they can’t stand the sight of one more<br />
&#160; &#160;Damn robot. Meanwhile in factories, work<br />
&#160; &#160; &#160;Drones on and the robots bemoan nothing.<br />
They move just as they’ve been programmed to move,<br />
&#160; &#160;Fingers trilling like a dance, placing things<br />
&#160; &#160; &#160;In their places.</p>
<p><br/><br />
ROBOT LOVER<br />
<em>— after John Donne</em></p>
<p>Why not me? Why not my human-<br />
&#160; &#160;Like fingers and other hard parts? How would<br />
&#160; &#160; &#160;That differ from licking a fork<br />
&#160; &#160;Clean or having a mouth full of braces?<br />
You know how I charge your skin when<br />
&#160; &#160;You come close, the hairs on your arms rising to<br />
&#160; &#160; &#160;Meet me: allegiant soldiers<br />
Who listen to your body’s mute desires.<br />
Your electrical wires, woven into</p>
<p>Every inch of who you are, brought<br />
&#160; &#160;You here. And the blood that moves inside me<br />
Could warm you until your devices<br />
&#160; &#160;Soften, then melt, if only you’d give me<br />
One free download. How easy that<br />
&#160; &#160;Would be. So slide over here like<br />
&#160; &#160; &#160;A well-lubricated cog, and add your<br />
Piece to my machine. What I mean is this:</p>
<p>You complete my design; you’re what<br />
&#160; &#160;My creator had in mind. My circuits<br />
&#160; &#160; &#160;Are heavy with you every night.<br />
If I had been built to dream, my dreams would<br />
&#160; &#160;Be viscous as crude oil, pungent<br />
&#160; &#160; &#160;As electrical fires. You would be there<br />
With your flawless architecture —<br />
Our world as small and flat as a diskette —<br />
Calling me through caustic smoke and liquid.</p>
<p><br/><br />
HALLUCINATION #1</p>
<p>For weeks, ghosts<br />
have made their way<br />
down the long hall<br />
that leads to your bedroom.<br />
They handle the doorknob<br />
of the closed door as<br />
you lie in bed and watch<br />
moonlight glint off<br />
the knob’s imperfections.<br />
More ghosts stand<br />
in the middle of the lawn,<br />
cast shadows onto the room’s<br />
far walls. Once, you heard them<br />
ease open the window<br />
above your bed, felt their<br />
dry breath on your forehead.<br />
What was it they whispered<br />
just before they disappeared like<br />
invisible ink? Something akin to<br />
talking in tongues, a message<br />
that drives you to wait<br />
for their return wearing<br />
your best nightgown,<br />
with your face made up,<br />
the covers thrown clean<br />
off your body.</p>
<p><br/><br />
<em>NOTE: The poems ROBOT WORKERS and ROBOT LOVER are from a series that follows the line syllable count and overall structure of John Donne&#8217;s love poems.</em></p>
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