Posts Tagged ‘Portland writer’

WORDS ALL WEEKEND

Thursday, October 8th, 2009

Wordstock’s here – one of the biggest literary parties on the whole Left Coast. With plenty of words to chew on, I’d like to mention a few things in which I’ll be involved.

FRIDAY NIGHT, 10/9: WARM UP WITH POETRY AND WINE

Come enjoy the poetry and wine with four of Oregon’s most cherished poets. Peter Sears, Shaindel Beers, John C. Morrison and Pamela Steele will be reading their work at Blackbird Wine, 4323 NE Fremont St. in Portland. Blackbird’s Friday night wine tasting starts at 6 o’clock, and includes a $6.00 cover; poetry starts at 7, and is free for one and all.

SATURDAY AND SUNDAY: VISIT SUPER WRITING FRIENDS

While you’re walking around between readings at the Portland Convention Center, stop by booth 423 and say hello to this year’s crop of Super Writing Friends – writers and independent publishers from the Pacific NW.

Joining me this year includes the following cast of characters:

  • Shaindel Beers
  • Pamela Steele
  • John Morrison
  • Dana Guthrie-Martin
  • Nathan Moore
  • Jeremy Halinen
  • and more

  • Be sure to drop by and drop your name in the raffle for a chance to win a great stash of poetry.

    MORE WORDS ON MONDAY

    I’m happy to announce I’ll be joining local writers Arthur Smid and Dennis Yates at Three Friends Coffee (201 SE 12th) for a shared hour of reading, between 7 and 8 p.m. Monday, 10/12. I’ll be reading a few pieces from Backwards on the Train, my soon-to-be released chapbook from Imperfect Press. The reading is part of the ongoing series put on by Show and Tell Gallery.

    Looking forward to seeing you over the long weekend.



A flight of collaboration

Saturday, March 21st, 2009

My good friend Pattie and I got together for coffee last week to talk writing, and we accidentally wound up collaborating on a little something, which I’ve pasted below. Not sure if you’d call it a poem or fragment, but it’s the result of two people talking and writing down what the other was saying. (And I’d like to give a nod to Dana and Nathan, who introduced me to the idea that poets can collaborate.)



BLUE HERON

How do you write about the blue heron
flapping its wings, rising out of water
in so few flaps and slow.

My childhood was gone faster that it takes
the bird to lift and go.

Some things are too beautiful
for a box of words, though Basho
could make it work.


Ask the Writer Guy, Feb 21, 2009

Saturday, February 21st, 2009

Ask the Writer Guy is a now-and-again feature where I’ll address writing-related questions from other writers, students, or just people who stumble upon the site.

Today’s question comes from Natisha, a student at Aloha High School just outside of Portland.

Q: What made you want to write?

A: The short answer is that I wasn’t too good at anything else. Another way of looking at it is that I was OK at a bunch of things, but seemed to be a “little better” at writing, so followed that current.

The longer truth is that I didn’t have any clue what I wanted to do or be when I was in high school, or in college for that matter. Of course I had a vague idea that it would somehow involve writing, but I had no notion of what that looked like or how that “might work”.

When I enrolled as a college freshman, I tentatively declared journalism as my major, which felt safer than declaring English. I didn’t want to teach and figured if I was an English major I’d wind up either teaching or starving. Two-and-a-half years later, after changing majors a couple of times and finding myself completely lost, I declared English and stuck with it. The turning point came when the head of Penn State’s Journalism Department, who for some reason let me enter his office unannounced at the exact moment I needed to see him, said the following: “They’ll always need people to write VCR instruction manuals.” He also informed me that he’d never taken one journalism class – he’d been an English major.

Going further back to the time when I first discovered I liked to write, I can’t really say with any certainty there was any one thing that made me “want to” write, as opposed to simply “making me write.” What I mean is, when I was 12 or so, these strange little poems began popping into my head from nowhere – mostly they had to do with girls and heartbreak, or else were rather obtuse observations about life in general. I decided to write them down – by writing them, I got them out of my head, which effectively cleared space for new ones to come in (though at the time I didn’t know that was part of it).

I wrote a poem or two every couple of months without taking it too seriously. I shared them with certain friends, all of whom thought the poems were great – when you’re 15 and no one else writes, anything that winds up on paper is great.

Over time I discovered that writing was a way to work through a lot of teenage/high school anxiety, anger, fear, etc. Some of my friends at this time were either into punching things or carving stuff into their arms with razors in order to cope with breakups and hormonal imbalances; I chose to write, which seemed less violent and possibly more rewarding.

Another thing that happened was that, toward the end of high school, I hit a wall with math. I was good up until Algebra II, then completely lost all comprehension. At the same time, we started doing more writing exercises in English classes. Up until then, English had been reading-intensive and, in a word, boring, at least for me. I wasn’t a reader, nor did I come from a reading family.

(My mother would probably argue with this, and has every right to, since she was always reading something – what I should say is that I was never encouraged to read on my own.)

By my junior and senior years, with math becoming harder and English becoming more interesting, plus with the poems that were already coming out of me, I simply followed the path of least resistance – writing.

Thanks for your question, Natisha.

Have a question? Send a note.


Writing naked

Saturday, February 7th, 2009

Or would it be “nakedly”? Not sure – either way, a new article is up and live in INUR Magazine.

Here’s a blurb, most of which is true:

You were naked today. I know you were. I was too. In fact I’m naked as I write this, taking what Benjamin Franklin would call an “air bath.” Anyone who’s seen Franklin’s chair in the Smithsonian should know that Old Ben used to sit around naked, especially when composing a letter, redrafting an article, or, as the Web site for the Nudist Resort likes to point out, “when doing mental work.” Perhaps it’s just me, but whenever I see a hundred-dollar bill—and as a writer, that’s not often—I picture Franklin wearing a coat, collared shirt, and nothing else.

Jump here to read the entire piece – and many thanks to the folks in L.A., the stranger from Craigslist, and me whyfe for the quotes.

An Object So Simple

Friday, September 12th, 2008

Like poor Celia,
who fell off her bike
from a stone or glass
in front of my house,
hard to tell
how she wailed
like she’d been shot,
and her words between tears
in a slanted English
for the neighbors
to wonder
what happened
to the girl
splayed on my walk,
where was her mother
when this was going on,
why was that gringo
putting ice on her arm,
telling her
in a made-up language-
It’s OK,
the world’s OK,
there’s nothing to fear,
just a small scrape,
some blood,
you’ll be fine
for school tomorrow.
Run home now, but slow -
there are more falls
to come. I know.

Family Wanted

Friday, September 12th, 2008

The fires never last long.
I sit in the window all day,
on the thirty-third floor
where the jets buzz by, trees
with white beard clouds.

The alarms fast and loud,
stations make quick work,
nothing lasts long enough
for the thrill.

Still it impresses guests
who like me
for my view, swear
they can’t see fires
from their rooms.

“Don’t you care?”
And I don’t.

“There’s been four today,”
I say.
When they’re gone
I pull the shades,
stare at the wall
no one likes,
the one painted red
that glows all night.

Are you a freelance writer?

Monday, August 25th, 2008

The answer to this question isn’t all that tricky – in short, it’s No. I’m not a freelance writer. I’m a professional writer with a professional writing business in Portland. Why the distinction? Let me tell you.

Mainly it comes from the term “freelance” itself. Anyone know where it comes from? Yes, you with the hair and your hand up – go ahead, stand and speak freely.

That’s right – the word “freelance,” according to dictionary.com, refers to the following:

  1. A person who sells services to employers without a long-term commitment to any of them.
  2. An uncommitted independent, as in politics or social life.
  3. A medieval mercenary.



While the idea of having been a medieval mercenary in a previous life seems strangely intriguing, as if I’ve walked that line before, here in this version of reality, I don’t want to be any of those three things.

Even as an independent sole proprietor or contractor, you still need to be committed to your clients, both during the project and afterwards – especially afterwards. Clients want to know that you’re there to continue to provide consulting and insight, and want to know that, when they’re in their own deep dark place, they can call on you to shed a little light when needed. It’s a good business tactic, but most importantly, it’s a good human tactic.

Feel free to bounce your thoughts my way.

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