Archive for December, 2011

UPCOMING YOUNG WRITERS WORKSHOP IN DOWNTOWN PORTLAND

Thursday, December 29th, 2011

Greetings friends and neighborhs,

I’m delighted to be the featured presenter at the next Young Willamette Writers meeting, set for Jan 3, 2012 at the Old Church in downtown Portland. You can find out more about the Young Willamette Writers here.

We’ll be doing an hour of poetry, starting at 7 p.m. The Old Church is located at SW 11th and Clay, and the event is FREE. It’s a great way for young writers to start the new year off with some new words.

SO MUCH DEPENDS UPON . . . WRITING

Saturday, December 17th, 2011

I’m delighted to post the following three poems (with a very thankful nod toward William Carlos Williams) written by three of my very favorite local (Portland) writers, each of whom I’m happy to know. Their poems came from a prompt in which they chose four words from Williams’ The Red Wheelbarrow, then ran with their own poem from there. Have a read.

RED DEPENDS UPON WATER

so much waits upon
rain

ten thousand pewter
trunks

dry gray barrows of
bark

cinnabar leaves fractured red
wheels

ready and willing to
decay

— B. Campbell Ford



so much depends
upon

a white wheel
rolling

through a white sky
agitating

molecules until atoms breathe out
blue

so much depends
upon

a white wheel
mounding

scattered clouds
glazing

gray undersides
coral-red

so much depends
upon

a white wheel
tearing

through static
wool

freeing whorls of white
rain

loosening skeins of black
thunder

so much depends
upon

a white wheel
spinning

purple-black opaque silk
shielding

our eyes from the
plasma-

maddened Midas
touch

of the white-wheeled
sun

— Pattie Palmer-Baker



WHITE RAIN DEPENDS, WHEEL

the world depends
upon

the wheel turning
steadily

moving the earth
surely

keeping the seas
contained

maintaining mountains’ upright
positions

sending flowing rivers
seaward

always the wheel
turning

earth and sky
singing

all systems dancing
gaily

world radiant in
white

from hot sun
shining

and cool rain
shimmering

wheel keeps turning
turning

— Mary K. Moen



YOUTH WRITING WORKSHOP STATEMENT

Thursday, December 15th, 2011

The following is intended to clarify my approach and goals when working with writers in individual and group environments. For parents interested in connecting for writing workshops, I encourage you to read the following, then follow up with me through email to continue the conversation. You can reach me at info(at)davejarecki(dot)com.

The overall goals of my writing workshops, whether working with young writers or adults, are as follows:

1) Create a comfortable, inviting and inclusive atmosphere where participants feel welcomed and encouraged to engage with their own creativity and to share their creativity with others, free of self-judgement.

2) To impart valuable tools and lessons that will support each participant’s growth as a writer, no matter where he or she is in their own growth. (In this way, even within a group dynamic, I take the time to connect with participants individually to be sure they are continuing along their own path and pace.)

3) To encourage consistent, constructive writing habits so participants begin to build a daily writing practice into their lives.

4) To increase and enhance each participant’s literary vocabulary, building their strengths as writers, editors and reviewers. Much of this work comes in the form of constructive critique. To introduce the concept of constructive critique, we generally begin with pieces of literature written by someone not in the workshop. From there, we often critique pieces of my writing. Then we get into critiquing the work of writers in the workshop. This is a safe and supportive way to build toward critique, especially with young writers for who the concepts of workshopping, review and revision are still relatively new.

WORKSHOP SIZES

In the past I have worked with groups as large as 20, and as small as 2 (in addition to 1-on-1 sessions). In setting up a small, parent-driven workshop that occurs at one parent’s home, an idea number would be anywhere between 2 and 6, though if space permits, we could have as many as 8. The smaller the group, the more individualized attention each writer will receive.

For a group of 4 or less, individual sessions will last approximately 90-minutes to 2-hours. For 5-8 students, individual sessions last between two and two and a half hours.

PROPOSED WORKSHOP SCHEDULING & TUITION

When launching a new workshop, I prefer to set parameters around the number of meetings, in order to help us clearly identify and work toward goals within a set amount of time. If, once the workshop is complete, we decide to continue, we can stick to the original design, or we can redesign the workshop to accommodate schedules, goals, etc.

I’ve provided the following example to help you conceptualize how a workshop may run. Again, I’m happy to work with parents to design a model that works for them and their child/children.

  • Six group meetings of 90-minutes to 2-hours. Meetings are held in a parent’s home, or at a designated nearby location.
  • At-home writing exercises to be completed during the week. The intent of the exercise is to help foster good, consistent writing habits. Students will bring the pieces they generated during the week to the workshop to be read, discussed, reviewed and revised.
  • The overall six-week curriculum is a blend of creative writing and fundamental basics designed to enrich what they are learning during the school week. Writers will also be able to bring school-related writing exercises to the workshop for peer review, insight and revisions.
  • Costs for this type of workshop generally falls in a sliding scale between $600 and $900 for the group (or, $150 – $225 per student, assuming four students). Parents are free to split these costs in any way they see fit. My goal with these costs is to ensure that parents are able to afford these classes within their family budgets.


PAST AND ONGOING YOUTH WRITING WORKSHOPS INCLUDE THE FOLLOWING

  • The after-school writing program at Woodstock Elementary (SE Portland). Now in its fifth year, this program includes three, eight-week sessions throughout the school year for Woodstock’s third, fourth, and fifth grade populations.
  • One-on-one workshops. These personalized sessions are designed to build on the strengths of the individual writer while also introducing them to new concepts, approaches and techniques. When working with young writers in one-on-one sessions, parents are invited to participate, share their thoughts and offer their input into the direction the workshop takes.
  • Summer Youth Writing Camp at The Attic Institute (2011). The inaugural youth writing camp (Summer 2011) welcomed more than a dozen young writers, ages 11-16, for a four-week, eight-session workshop built around creative expression, writing fundamentals and critique/review. Writers wrote and shared during each three-hour session, and also engaged in at-home writing exercises.
  • Winter/Spring Poetry at Depaul Treatment Centers (NE Portland, 2006/07)



AND ONE LAST NOTE . . .

Take a look at this previous post about the Summer 2011 Youth Writing Camp, which delves a little further into my process, thoughts, and drive behind working with young writers.

Thanks for reading!



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